Elves, Evil, and Enframing: Tolkien and Heidegger on Art vs. Technology
Modern technology doesn’t hear the Song, and it teaches us not to hear it either.
We have a special treat for readers today. The following article was written by Eugene Terekhin, the man and the mind behind the publication Philosophy of Language.
Philologist, philosopher, translator, and author Eugene Terekhin explores in Philosophy of Language the secret literary theory behind the fantasy worlds of J.R.R. Tolkien, C.S. Lewis, and Owen Barfield who believed that when words are spoken aright, they invoke the invisible reality from behind the veil of the world. He is a voice of much needed wisdom in our day and age, when so much of true art is being eviscerated and trivialized.
He is the author of the following books and I have read three of his books and highly recommend them:
and The New Exodus: Escaping One Man’s War
We urge you to subscribe to Eugene’s insight-packed newsletter filled with the wisdom of the inklings, poets, philosophers, writers and great thinkers by clicking the button below:
This article originally appeared on Philosophy of Language here. I’m sharing it with The BoldBrush Letter because in it, Eugene has explored an important topic, perhaps the most important topic for creative people.
Editor’s Note: In two days, this post will be locked and is available only to paid members because we don’t want this duplicate content on the open web in a way that might draw traffic away from Eugene’s original post. If you are not a BoldBrush paid subscriber, you can still read the entire post here.