Thank you! Great summary of Cindy’s interview. A couple years ago I was at a gallery in Montana, where I had the pleasure of seeing Cindy’s paintings in person. The person who worked at the gallery told me when she unwrapped Cindy’s new work that had just come, the paintings brought her to tears by the beauty in them. ❤️ (What every artist wants :) , and yes, I passed that on to Cindy.)
Well said honesty and professionalism is extremely important for the relationship. Galleries also need the professionalism. I have been in Galleries and have had good experiences and bad experiences in others. Currently I have been out of Galleries selling online and in a yearly show. I consider myself semi retired meaning I'm still painting and striving to constantly improve my skills but painting for myself more then for what the Galleries want here in Alaska. I do have a group of collectors that follow me. I am in my mid 70s now and enjoying my senior years.
Thank you for your comment. Yes, you are correct. All of these "tests" could be applied in reverse for the artist to evaluate the professionalism and trustworthiness of the gallery they are considering. I always recommend trying to get information from artists already represented by a given gallery.
Sounds like you're saying that steady production and performance, quality over quantity, quiet confidence, entering shows and competitions pays off. Thank you!
Clint, excellent summary of the interview with Cindy. It makes so much sense. I watched the interview- your blog here is helpful and true. Thank you. I’m now in a highly visible gallery annual show for the third year. I’ve known the gallery owner for 25 years. Three years ago, I asked him if he’d consider adding my work to the show. I’d been creating a body of work and improving. He said, yeah, we’ll try it. I’ve sold 2 out of 3 years and this year’s show isn’t over yet. In past decades I never asked him to show my work. We just chatted about artists and marketing. He was gracious in sharing his thoughts.
Btw. Cindy’s paintings are in that show. It’s only by invitation of the gallery owner. I feel fortunate, and it’s stretching me. I am not represented by the gallery… yet.
I like what was said about becoming visible through competitions/shows.
You’re right. It’s the long game. I’ve never made much of a dent on social media alone. It’s like going to a party where everyone is shouting. Email is much quieter.
Thanks for the insights. Of course, Cindy's work has always been inspiring so it's nice to hear advice from her. I was lucky to meet her once and not only is she a wonderful artist, but I saw her go out of her way to help a fellow artist who had forgotten her own pochade box when we we out painting. It's great when your idols exceed your expectations!!
Thank you! Great summary of Cindy’s interview. A couple years ago I was at a gallery in Montana, where I had the pleasure of seeing Cindy’s paintings in person. The person who worked at the gallery told me when she unwrapped Cindy’s new work that had just come, the paintings brought her to tears by the beauty in them. ❤️ (What every artist wants :) , and yes, I passed that on to Cindy.)
Great story! Thanks for sharing it.
Well said honesty and professionalism is extremely important for the relationship. Galleries also need the professionalism. I have been in Galleries and have had good experiences and bad experiences in others. Currently I have been out of Galleries selling online and in a yearly show. I consider myself semi retired meaning I'm still painting and striving to constantly improve my skills but painting for myself more then for what the Galleries want here in Alaska. I do have a group of collectors that follow me. I am in my mid 70s now and enjoying my senior years.
Thank you for your comment. Yes, you are correct. All of these "tests" could be applied in reverse for the artist to evaluate the professionalism and trustworthiness of the gallery they are considering. I always recommend trying to get information from artists already represented by a given gallery.
Love cindy's work and others you represent
We love her work too!
I agree, it works! Can't wait to see the next "bold brush" painting and essay.
Thank you
Sounds like you're saying that steady production and performance, quality over quantity, quiet confidence, entering shows and competitions pays off. Thank you!
Such great advice! I personally have had the best relationships with galleries who discovered me and offered me representation.
Thanks Debra!
Clint, excellent summary of the interview with Cindy. It makes so much sense. I watched the interview- your blog here is helpful and true. Thank you. I’m now in a highly visible gallery annual show for the third year. I’ve known the gallery owner for 25 years. Three years ago, I asked him if he’d consider adding my work to the show. I’d been creating a body of work and improving. He said, yeah, we’ll try it. I’ve sold 2 out of 3 years and this year’s show isn’t over yet. In past decades I never asked him to show my work. We just chatted about artists and marketing. He was gracious in sharing his thoughts.
Btw. Cindy’s paintings are in that show. It’s only by invitation of the gallery owner. I feel fortunate, and it’s stretching me. I am not represented by the gallery… yet.
I like what was said about becoming visible through competitions/shows.
You’re right. It’s the long game. I’ve never made much of a dent on social media alone. It’s like going to a party where everyone is shouting. Email is much quieter.
Thank you for sharing. And congratulations!
Thanks for the insights. Of course, Cindy's work has always been inspiring so it's nice to hear advice from her. I was lucky to meet her once and not only is she a wonderful artist, but I saw her go out of her way to help a fellow artist who had forgotten her own pochade box when we we out painting. It's great when your idols exceed your expectations!!
Yes, it is. Thanks for sharing that anecdote.